"Stevie Wonder" "Songs In The Key Of Life" Remaster Flac Download -Torrent UPDATED

"Stevie Wonder" "Songs In The Key Of Life" Remaster Flac Download -Torrent

Info for Songs In The Key Of Life (Remastered)

'Songs in the Key of Life' was the last of five sequent albums widely hailed equally Stevie Wonder's 'classic flow' and became among the best-selling and nigh critically acclaimed albums of his career. The album debuted at number one on the Billboard Anthology Chart on October 8, 1976 and remained in that location thirteen consecutive weeks. It spent a total of 30-v weeks inside the Peak Ten and eighty weeks on the Billboard albums chart. Legendary figures of R&B, soul and jazz music perform on the album including, Herbie Hancock, George Benson, Minnie Riperton and Deniece Williams.

'Songs in the Key of Life' included the hits, 'I Wish,' # 1 on the Billboard Hot 100 and R&B chart. The track became an international Top 10 unmarried, and besides reached # five in the UK. The follow-up, 'Sir Duke' spent three weeks at # ane on the Billboard Hot 100 and reached # 2 in the Britain. 'Another Star' and 'As' were too Top 40 hits. 'Isn't She Lovely' received wide airplay and became one of Stevie's nearly popular songs though it was not released as a unmarried.

'...[SONGS] best reflects [Stevie's] global influence on contemporary soul, jazz, funk, rap and pop....[it] speaks to the developed heed, politically, racially and emotionally. Information technology shows how shockingly talented Wonder is...'

Digitally remastered

Ranked #56 in Rolling Stone's '500 Greatest Albums Of All Time'

Stevie Wonder
Dubbed "Little Stevie Wonder" by Motown'due south Berry Gordy, he was signed to the label when he was merely 12 years old and was simply 13 when the live recording "Fingertips (Function 2)" hitting no. i pop and R&B. Playing harmonica, drums and keyboards, as well as singing, the male child who had been blind from infancy proved aptly named. While still a teenager--dropping the "Picayune" from his stage proper noun--he earned seven acme x pop singles, including "For One time In My Life," "My Cherie Flirtation," "Yester-Me, Yester-You, Yesterday," "Uptight (Everything'south Alright)" and "I Was Made To Dear Her."

By age twenty, he was cocky-sufficient in the studio, writing, playing every musical instrument and serving as his own producer, including for such hits equally "Signed, Sealed, Delivered I'm Yours" and "If You Really Love Me." He broadened his vision from pure pop to the socially witting. He began exploring exotic musical ideas incorporating gospel, stone, jazz, reggae, and African and Latin American rhythms, and pioneered the use of synthesizers.

Turning 21 in 1971, Stevie holed upwards in a New York studio and refused to sign with Motown until he was given autonomy to record as he please. Motown agreed and the groundbreaking Music Of My Mind was released followed the next year. Afterward that year came Talking Volume, which boasted the no. 1 pop and R&B hits "Superstition" and "You lot Are The Sunshine Of My Life." Innervisions, featuring the Height x hit "Higher Ground," "Don't You Worry 'Tour A Thing" and the epic "Living For The City," was a landmark LP that became the his get-go of three sequent Grammy® Albums of the Year.

While the tape was riding loftier, Wonder was in a near-fatal accident. He recovered to record another securely felt album, Fulfillingness' First Finale, in 1974, that featured the no. i pop "Yous Haven't Washed Nothin'" (with the Jackson v on groundwork vocals) and no. 1 R&B "Boogie On Reggae Woman."

Songs In The Key Of Life was an instant no. 1 album, the outset by an American artist to debut at the tiptop spot, where it remained for an incredible 14 weeks. It was highlighted by the no. 1 pop and R&B hits "I Wish" and "Sir Duke." By the late seventies, Wonder was also leading the fashion in New Age instrumental music with the soundtrack album Journeying Through The Cloak-and-dagger Life Of Plants, which featured the ballad hit "Send 1 Your Love." He won xv Grammys in just four years.

Wonder kicked off the eighties with his funk classic "Primary Equalizer (Jammin')," a tribute to Bob Marley, and "Happy Birthday," the theme song for the successful entrada to establish the birthday of civil rights leader Dr. Martin Luther Rex Jr. equally a national vacation. Both were included on the album Hotter Than July. Balancing public causes and private emotion, he scored with the no. 1 R&B "That Girl" in 1982. A champion of racial harmony, he joined Paul McCartney on the no. ane pop "Ebony And Ivory" later that year.

Wonder contributed songs to the Factor Wilder film The Woman In Red in 1984, when the theme vocal, "I Only Called To Say I Love You," hit no. 1 popular, R&B and adult contemporary. It also became Wonder's first no. i in the U.K. With Elton John and Gladys Knight, he besides appeared on Dionne Warwick's 1985 no. 1 pop "That's What Friends Are For," which benefited AIDS research. That same year, he won the Oscar® for Best Song for "I But Called To Say I Love You"; was spotlighted in "Nosotros Are The World," the landmark charity endeavor for African famine relief; and "Office-Time Lover," from the anthology In Square Circle, became the beginning single to simultaneously summit the pop, R&B, developed contemporary and dance/disco charts.

The nineties and the new millennium were marked by collaborations with artists as diverse equally Prince and Sting, Babyface and Busta Rhymes, Snoop Dogg and Andrea Bocelli, Sting and Tony Bennett, and projects as varied as the Broadway musical Rent and Spike Lee's film Jungle Fever.

Wonder was inducted into the Rock and Scroll Hall of Fame in 1989. As of mid-2008, Wonder has earned 25 solo Superlative ten popular hits, among them seven no. 1'due south, and won 22 Grammy Awards--plus a prestigious Lifetime Achievement Grammy in 1996. His 2005 Motown album A Time two Dear garnered six Grammy nominations and won 2, including i for "And then Amazing," Wonder'south duet with Beyonce.

For Rolling Stone magazine's 2004 article "The Immortals – The Greatest Artists Of All Fourth dimension," Elton John wrote nigh Stevie Wonder: "When he comes into a room, people adore him. And there aren't many artists similar that. People admire you and they like your records, simply they don't want to stand up up and hug you. But this man is a adept human being. He tries to use his music to benefit. His bulletin, I remember, is about love, and in the world we live in today, that message does shine through."

This anthology contains no booklet.

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